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Across her TerrorXXX productions, certain visual signatures recur. Vespoli frequently employs high-contrast lighting, colored gels, and fog machines to evoke the visual language of Italian giallo films and 1970s Euro-horror. Stone corridors, Gothic architecture, and shadow-drenched interiors appear in films like Ministry of Evil and Descent .

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She has explored necrophilia themes with intellectual curiosity in Dana Vespoli’s Real Sex Diary and tackled psychological abuse in My Evil Stepson . More recently, academic circles have begun analyzing her work; an article in Porn Studies regarding her film Consent highlights how Vespoli uses "bodily specificity – menstrual blood, awkward negotiation, unscripted intimacy" to challenge the aesthetic coherence of traditional porn. This makes her a darling of both sex-positive feminists and hardcore horror fans. Her 2017 feature Lesbian Stepmother 3 is explicitly described as a homage to fairy tales and classic horror films, where she plays an "evil stepmother" holding a young woman prisoner. It is a perfect example of how content functions: it is horror, but seen through a sapphic, empowering lens. but seen through a sapphic